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Albrecht Durer
Emperor Maximilian
1519
Tempera on canvas,
83 x 65 cm
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Albrecht Durer
Heller Altar
1508-09
Tempera and oil on wood,
189 x 138 cm
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Albrecht Durer
Madonna and Child with the Pear
1526
Oil on wood,
43 x 32 cm
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Albrecht Durer
The Four Holy Men
1526
Oil on lindenwood,
215 x 76 cm
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Albrecht Durer
The Large Turf
1503
Watercolor and gouache on paper
41 x 32 cm
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Albrecht Durer
Courtyard of the Former Castle in Innsbruck without Clouds
1494
Watercolour on paper,
335 x 267 mm
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Albrecht Durer
Amorous Peasants
Drawing Pinacoteca Ambrosiana
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Albrecht Durer
Portrait of Burkard von Speyer
1506 Oil and tempera on panel, 32 x 26 cm
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Albrecht Durer
Portrait of Elector Frederick the Wise of Saxony
1496 Tempera on canvas, 76 x 57 cm
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Albrecht Durer
Sjalvportratt
mk234
1498
40x52cm
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Albrecht Durer
Madonna and child
mk234
about 1505
40x50cm
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Albrecht Durer
The four apostles
mk234
1523-26
215x75cm
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Albrecht Durer
Male father
mk234
1497
50x40cm
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Albrecht Durer
self portrait with gloves
mk247
1498,oil on panel,20x16 in,52x41 cm,museo del prado,madrid,spain
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Albrecht Durer
hare
1502,watercolor on paper,9.875x9.125 in,25x23 cm,graphische sammlung albertina,vienna,austria
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Albrecht Durer
sjalvportratt
mk248 kompositionen av detta portratt pa panna foljer den florentinska stilen.klader,frisyr ocb utsikten mot de snotackta bergen i fjarran ar indikationer pa att durer betraktade sig sjalu som en adel varldsman, ingen vanlig provinsiell bantverlare.
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Albrecht Durer
Artist self-portrait
mk255 for in 1493. 0.56 x 0.44 meters canvas. Paris, the Louvre
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Albrecht Durer
The earliest painted Self-Portrait (1493) by Albrecht Durer
The earliest painted Self-Portrait (1493) by Albrecht D??rer, oil, originally on vellum Louvre, Paris
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Albrecht Durer
Young Hare
Young Hare, 1502, Watercolour and bodycolour (Albertina).
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Albrecht Durer
Lamentation for Christ
Lamentation for Christ, oil, 1500-3
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| Albrecht Durer
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b.May 21, 1471, Imperial Free City of Nernberg [Germany]
d.April 6, 1528, Nernberg
Albrecht Durer (May 21, 1471 ?C April 6, 1528) was a German painter, printmaker and theorist from Nuremberg. His still-famous works include the Apocalypse woodcuts, Knight, Death, and the Devil (1513), Saint Jerome in his Study (1514) and Melencolia I (1514), which has been the subject of extensive analysis and interpretation. His watercolours mark him as one of the first European landscape artists, while his ambitious woodcuts revolutionized the potential of that medium. D??rer introduction of classical motifs into Northern art, through his knowledge of Italian artists and German humanists, have secured his reputation as one of the most important figures of the Northern Renaissance. This is reinforced by his theoretical treatise which involve principles of mathematics, perspective and ideal proportions.
His prints established his reputation across Europe when he was still in his twenties, and he has been conventionally regarded as the greatest artist of the Renaissance in Northern Europe ever since.
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